Selections: Three Poems by Joseph Bathanti

Girl

After Sam Hamill’s Translation of Izumi Shikibu

Her long brown hair,

still a girl’s at that instant

of intake, a breath

she holds interminably –

because the black dog

gallops ecstatically

to her hand through

the winding creek bed,

a flopping speckled trout

in his mouth, the water

as he splashes going up

and up, excelsior,

balletic Sycamores

aswoon from their banks,

bark-shed, shameless –

and then that arrested

breath surrendered,

the lost last exhalation

of her girlhood. Barefoot,

she crosses the ancient plank

bridge spanning Linville Creek.

The give of the wood

at her tread echoes

through the gap.

Behold

The storm shakes

blood from the hemlocks,

then ceases

in paroxysms. Across

the shocked vale

shudders silence

in its wake. The sky

in a feat of grief

turns lavender

the gap. Behold:

the first haying’s golden

bales sprawl against

the mountain sole –

so bereft the drenched

crows weep.

April Snow

The grass whelp sin Biblical mien –

mowers spend themselves –

a writ of greenest green,

spangled in sunbursts,

as if Van Gogh lost himself

inthe remnant petrified thistle,

the first violets at his feet,

and painted Billings’ meadow.

Robins swagger the land with pomp.

Swifts, little crosses,

jet above them. Birdsong.

Frog-song. Early spring

by habit exaggerates itself

unconsciously like an exotic woman:

the green that is a blinding recognition.

To the ridge rise pines and firs.

Regally, in their time, bud ancient

hardwoods, swelling by the day

with their bringing forth.

Blackberry whip the swales,

its cane Shrove-purple from the long

winter. In Sugar Grove,

daffodils sway in the Little League outfield.

Bases bleach in the dirt.

Home plate is a pentagon.

It forgets nothing.

Life is more than fable,

but never stops stunning earth.

And so: hushed clouds, sheepish,

sheep-shaped, yet foretold,

slip over Snakeden Mountain.

Their shadows blanket the valley floor.

The snow they release is inevitable.

This is how we must think of it –

inevitable – how we must welcome it,

the white counterpane of silence,

beyond our ken, the green

beneath it jade, milky.


American Sweetgum

I’m too old for tree climbing, but it turns out being aloft is good for thinking and Kate wants me to think. The sun has disappeared behind the horizon, though there’s still a bit of warmth in the sky beyond the city lights.

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Selections: "Morning Beat"

North

Buttery sunshine spreads smooth over juniper dabbed dirt. Blue heron plunges from pine fluff, skims lake green as gunpowder tea. Shores smell of moss, dead carp, of stink-bait. Light exposes an orgy of insects, glints the bustle like an unearthly galaxy of eye-level stars: black butterflies, bluebottle fly wings.

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Selections: “Polar Plunge"

I’d been noticing the fish girl around Station for weeks. I’d see her in the early morning hours at the lab, dumping coolers of live fish into seawater tanks in the aquarium, or sometimes she’d be tucked away in a corner doing headstands.

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Selections, "The Seedbank of Mount Sutro"

Mount Sutro, a hill in San Francisco, is difficult to characterize. At 908 feet, it’s a very tall hill that comes close to being a small mountain. (Another 92 feet, and it would have that distinction.) Many hundreds of years ago it might have started life as a hybridized sand dune/chert rock outcropping: it sits to the south of the Great Sand Bank of the outer lands of the city where offshore gusts threw sand from west to east with impunity one hundred years ago.

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Selections: “We Move the Chicken Coop: Chickens Inform the Creative Mind”

According to Howard Gardner’s book Multiple Intelligences, our society prizes logical-mathematical thinking above other kinds.  It follows that I did well in school because my talents fall in the linguistic-mathematical range beloved of givers of standardized tests and late twentieth century teachers.  

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