Grafted

 

“Build your own Eden 1” by Amy Nelder

By Alison Colwell

 

Grafting, in horticulture, is the joining together of two different plants by placing a small portion of one plant onto the stem, root, or branch of another plant in such a way that a permanent join will be formed and both plants will continue to grow and thrive. The part of the alliance that provides the root is called the stock; the part that is added is called the scion.

***

Born in Bury St Edmunds, England, I come from a particular kind of English stock: working class, belonging to that group of people with nothing to offer but their labor. One of my great-grandmothers took in laundry after her husband died and left her with eight kids to support. Another great-grandmother kept house for a retired Major after her own husband was killed in WWI.

My grandmother went into service when she was fourteen. She was a nanny, then a cook, until she married and had her own children. A skilled baker, she always kept meringues or fruit cake in her pantry under the stairs, a pantry I pilfered whenever I had the chance. Until her sixties, she scrubbed and polished other peoples’ houses, and she never owned her own home. My strongest memory of my grandfather was the scent of wood shavings that clung to his rough jacket at the end of day and the pipe smoke that encircled his flat workman's cap. They worked hard. They stayed put. My aunt moved one street over when she married. She lived in the same village her whole life.

My mom dropped out of school at fifteen, but she aimed higher. She met and married an engineering student from a nearby college. They moved away and traveled before they settled down in a semi-detached row house in Billericay, just a few towns over from my grandmother. They owned their own house. Mom didn't work. She’d gotten away, and for a while, things were different.

I was nine when Dad left us. The 70s were just over, but still he joined a commune in India. And with him went the possibility of something different.

Mom started cleaning houses. I sat quietly at other families’ pristine kitchen counters and drew in my sketchbook. We watched wrestling in mildewed church halls and stock car racing on the weekend. I played foosball in the pub with my cousins while my mom smoked Benson & Hedges at the bar. Pirated new release movies were screened to packed living rooms. My clothes came from the open-air back-of-the-truck market in the next town. Once or twice a year we'd go to the seaside, pitch our windbreak on a tiny handkerchief of sand, dash into the icy water of the English Channel, or buy donuts from the store on the pier. It was a life filled with making do and community. I never questioned my place in this world.

***

In modern horticulture, grafting is used for a variety of purposes, including: to produce dwarf trees, to strengthen plants’ resistance to certain diseases, or to adapt varieties to harsher soil or climatic conditions. Grafting is a skill that requires patience and knowledge. The interaction of stock and scion may negatively affect the performance of the new plant through diminished fruit quality. Some grafts take years to fail.

***

When I was thirteen, my mom met Phil. She was riding the ferry with her Slimming Club on their annual day trip to Belgium and Phil was on holiday with his brother. An original cockney, Phil had left London at nineteen to immigrate to Saskatchewan to work as a farmhand before settling on the Canadian west coast.

After six months of letter writing, he asked Mom to marry him. She went to visit him in Canada for two weeks. Then she said yes.

"It's beautiful,” she said. "You can't imagine."

And I couldn't. Nothing existed in my world that could have prepared me for Canada.

I’d grown up in Billericay. It’s only forty-five minutes from London, an old town with pubs every 100 yards, and historic churches with graveyards to play hide and seek in. There was an old museum on the main street, filled with Victorian bric-a-brac, and sometimes mom would pay the penny admission and we'd wander inside, peering into glass cabinets. There was a two-headed lamb on the second floor that fascinated and repulsed me. I couldn’t help but look, then turn quickly away. Streets are narrow, houses are small, and towns run into each other, with little green space between them.

To reach my senior school, I had to cross through an underpass; the electric lights were spaced too far apart, leaving deep pockets of shadow, and the walls were garish with graffiti. The older kids used it to smoke and drink. Even at eight in the morning it smelled of vomit and piss. Two thousand kids attended the school. It had its own farm and its own swimming pool, albeit unheated, with much-repeated stories about the dead foxes found floating by the cleaning staff. We walked on the left side of the corridors. Stood up when a teacher entered the room. Life followed set rules.

To prepare me for Canada, mom bought me the book There's a Raccoon in my Parka. But I didn’t know what a raccoon was. Or a parka. She said we’d be able to see the ocean from Phil's kitchen table, and that the couple at the end of the street fed raccoons outside their living room window. I watched old Clint Eastwood westerns for their glimpses of North America.

Our tickets were for September 21st, 1983. I was allowed one suitcase to pack up the first thirteen years of my life. Which books to bring? Which clothes? Which toys would signify my childhood? My perfect pink bedroom, with the glass-topped vanity and ruffled pink skirt; almost everything that defined who I was had to be left behind. I brought my diaries. I left my dolls. I brought my books of folktales, but left behind my Agatha Christies.

Canada was a shock. I thought there would be more horses. I thought there would be fewer trees. Everything was much bigger than I expected: department stores were bigger, cars were bigger, even birds and flowers seemed bigger.

One day I was exploring on my stepfather’s property and found a ravine filled with huge, startling yellow flowers. I dragged everyone down to see, awestruck by their unexpected beauty. Phil laughed at me. I had discovered skunk cabbage.

The space I now inhabited was impossibly huge, unconstrained by family history. The lack of belonging was bewildering.

***

In theory, any two plants that are closely related botanically and that have a continuous cambium can be grafted. In practice, it’s trickier. Grafts between plants of the same species are usually successful, between genus only occasionally so, and grafts between families are nearly always failures. Closeness of botanical relationship is not a promise of success, and it’s best to seek advice from other gardeners. The success of the graft is mediated by many complex physiological and environmental factors.

***

In England, I’d always worn a school uniform: white blouse, purple tie, grey skirt, grey cardigan, grey socks, brown leather shoes. It was boring and predictable and completely safe. In my first year of high school in Canada, I could choose what to wear to class for the first time. I wore streaks of pink blush and electric blue eyeshadow and sweaters knitted by my grandmother and grey rugby pants with dressy white blouses. My grade nine school photos are cringe-worthy.

At first, I was the pet of the popular girls. They helped me open my locker with its unfamiliar combination lock. They sat with me at lunch and recess, but after six weeks, they told me to go find some new friends; I’d lost my cool value. High school was hard. Everything about me was wrong: my clothes, my accent, and the way I thought. Years passed. By grade twelve, I was spending my time with the other nerds in the library. Competition was fierce to see who would be chosen valedictorian. I’d found my place to blend in.

***

The success or failure of any grafting operation is based upon the compatibility of each plant, by the closeness of the fit, and cambial contact. The union is initially held in place by pressure exerted on the stock, by grafting tape, or moss and plastic, applied over the point of the graft.

***

At thirteen, I babysat; at fourteen, I plucked chickens in a poultry processing facility. I cleaned stalls at a thoroughbred breeding stable, I was a chambermaid at a resort, a cashier in a coffee shop, I cleaned houses, of course, managed a bookstore, read tarot cards, waitressed. I did bookkeeping for a non-profit, desktop publishing for a bookstore. I opened my own bakery, getting up at four in the morning to make cinnamon buns and scones. I worked throughout school, throughout college, university, and three marriages. I have always worked; that core piece of myself, my rootstock, has always rung true.

Almost forty years after I immigrated to Canada, I live on a small island, where I manage a local non-profit. The mission statement of the organization is to build community. It turns out I’m good at that. I coordinate community potlucks, run the local food bank, and organize the seniors’ meals program.

Two years ago, a massive windstorm knocked out power to the island the day before our Winter Solstice Potluck. The decision whether to cancel was mine. I chose to carry on. The next day, even though some of the roads were still blocked with downed trees, volunteers hiked to the community hall to help. We cooked turkeys in the propane ovens, ran generators to pump water.

Over a hundred people came that night, gathering in the light of dozens of lanterns and candles, sharing food and stories of the storm. Musicians took to the stage, played acoustic sets. We sang carols and pop songs while washing dishes with water heated on the stoves. To hear anyone talk about it now, that Solstice, the one with no power, blocked roads, no phone lines, that one was the most magical.

***

When grafting is successful, then something entirely new, perhaps even something unanticipated has been created. Looking back four decades, it’s hard to trace the path that brought me here. I couldn’t have foreseen how the graft of Canada onto the sturdy English stock would lead to this community where I’ve set down my own roots, raised my own children, to this place where I have blossomed and thrived.


Alison Colwell is a single working mother of two children with mental health challenges and a survivor of domestic abuse, all of which inform her creative writing. Her CNF work can be found in the climate-fiction anthology Rising Tides, the NonBinary Review and The Fieldstone Review and The Humber Literary Review.

 

Homage to Shorty Zucchini, Don W. and Life at the Dump

 

“Mind Like a River” by Bridgette Geurzon Mills

By Judith Howe

 

June, 1984

Home: Ester, Alaska. A dilapidated turquoise blue trailer with an avocado green refrigerator, a matching greasy stove, grimy orange cupboards, no plumbing, no electric, and no outhouse.

Neighbors: Shorty Zucchini and Don W.

March, 1984

“Hey Judith,” says Fred, my husband of 12 years, calling from north of San Francisco, 3000 miles away from me, in New Hampshire, finishing the school year as a high school guidance counselor. He’s a carpenter, spending a few months helping a California friend build his house. And I detect suppressed excitement in his voice, which makes me nervous. It always makes me nervous. For while I grew up accustomed to the comfort and security of a plan, he has always thrived on spontaneity, devoured adventure. Which captivates me. And makes me crazy.

“I have a great idea for this summer,” he says. “I met a guy on the bus headed to Alaska. I could do carpentry and you could probably waitress.”

I don’t say no, though I barely say yes. My stomach tightens, I clench my teeth, take a deep breath. I always take a deep breath. And then, I say yes.

May, 1984

He finds a construction job in Fairbanks, interior Alaska, living for a month at a hostel. Then, while perusing notes thumbtacked to a bulletin board at a grocery store, he spots a grimy scrap of paper that says, in wobbly handwriting, Caretakers wanted in Ester in exchange for free rent. See Shorty Zucchini.

Ester, population around 600 in 1984, 5000 in the gold rush days, is 12 miles out of Fairbanks. Everyone knows everyone, and the tiny post office is never locked, so 24/7, you can grab your mail out of your box and take a free paperback off the bookshelf.

Fred pulls out the thumbtack and stuffs the note in his Levi’s back pocket.

June, 1984

“Hey Judith,” Fred calls from Ester, now 4500 miles away from me, in New Hampshire. “It’s not the most scenic setting we’ve ever lived in,” he says, “but it is free. It’s Shorty Zucchini’s salvage yard. He’s heading north soon to search for gold, and he needs someone to watch his place. It’s free, Judith,” he repeats, hoping I won’t notice the part about a salvage yard. “It’s free,” he says again, hoping I won’t ask too many questions.

I’m sitting on our New Hampshire bed, half asleep, four time zones apart, legs folded under me. T-shirt and undies. Messy long brown hair. I scowl. I roll my eyes. I’m often rolling my eyes with this man. I take a deep breath.

I shake my head no.

A big… fat… no.

Yet my mouth says, “Oookaaaay.” But what am I saying okay to? I don’t know. I never know.

Late June, 1984

I wear my cute guidance counselor dress on my 13-hour journey from Boston to Fairbanks. Small red and black checks with a black belt, a short skirt, short sleeves and scoop neck. Small silver hoop earrings and low-heeled leather sandals. My hair’s pulled back from my face with two clips. At Fairbanks International Airport, I’m greeted by a towering stuffed polar bear standing on its hind legs. And my husband, looking very Alaskan, as now, in addition to the faded Levis, worn work boots, and flannel shirt he was wearing two months ago when he left, he has a short beard and his scruffier brown hair is pulled back in a stubby ponytail. He blends in with the airport crowd better than I do. I should have worn jeans and carried a backpack.

Fred does not yet have a car, so an electrician from Seattle, older than us, still looking for work in his field, drives us to Ester in the airport taxi, accompanied by his overly-perfumed blonde wife who’s visiting for a week. It’s nearing 10 at night, 2 a.m. New Hampshire time, but the sun won’t set until 11:30 p.m. Kids are running around outside and riding bikes, like it’s afternoon playtime. I stare out the window as we leave flat Fairbanks, population about 25,000, with its paved orderly grid of streets, some historic houses and old miner’s cabins, newer, bigger homes and smaller, cozy bungalows. We eventually leave the pavement and turn off onto dirt roads. Now, I feel like I’m in Alaska.

And do I see majestic snow-capped mountains in the distance? No. Do I see magnificent whales leaping, splashing out of the ocean? No. Do I see tourists beaming for a photo, standing next to their man-size freshly caught halibut, hanging from a hook, the crew cleaning up smelly blood and guts on the deck behind them? No. I do not see any of these coastal postcard scenes, for I am now a 6-hour drive north of Anchorage. And all I see is flat, gravelly, dusty land with scrubby bushes and the emaciated black spruce trees that would never appear on a Christmas card. With the city behind us, I’m starting to see more recent subdivisions, large log homes with deer antlers over the door, rocking chairs on the porch, and then the farther out we get, closer to Ester, I also see mixed in the pot more scattered, tacky shacks and old trailers that look like they have a permanent yard sale. It’s a mishmash, and I’m starting to get edgy. I glance at Fred, but I don’t know what to say. He’s oblivious, looking straight ahead, unless he’s consciously ignoring the stab of my eyes that’s impaling the side of his head.

And then, he cheerfully says to the electrician, sounding like a proud husband about to carry his bride over the threshold, “Turn in here please.” The van turns. The van stops.

We’re home.

The electrician’s wife, in the front seat, looks over her shoulder at me and we exchange glances. I know she pities me. She gets it. Me, in my cute red and black checked dress with the black belt and short-heeled sandals; I do not fit in this picture. I never want to fit in this picture.

And the men? They don’t get it. They never get it. They think this is a grand adventure. Life in Alaska. With free rent thrown in. What a deal.

The van leaves and we’re standing in a cloud of dust. Sandwiched between my husband and my two suitcases, I look this way, and I look that way. No people, no real houses, just junk piles, two shacks, and an ugly turquoise-blue trailer.

And does husband say to me with a grin, “Well, honey, we’re home. How d’ya like it?”

No.

He can tell I have no sense of humor.

He can tell there is no threshold here that I want to be carried over.

And he can tell that words will not help. No, not at all.

Home. Shorty’s salvage yard. It looks like a town dump in Arizona, minus the cacti. Fred says there isn’t any soil here because of the dredging done during the gold days. Like this makes me feel better. No. Low, scraggly bushes, emaciated trees, a few acres of dry, gravelly land full of old machinery, aging bulldozers and excavators, dead cars, overflowing rusty barrels, scrap lumber, oily, smelly, crumpled cardboard boxes, trash and more greasy broken stuff. Fred tells me Shorty might have gotten a lot of this equipment cheap after they finished building the Alaskan pipeline. This bit of history also does not help. A few grizzly, greasy-haired guys in a banged up pick-up, eager to peruse these treasures, drive by, whirling up clouds of dust in this otherwise dry, still landscape. I’m coughing now, and there’s grit in my eyes.

And home for us? The ugly, dented two-bedroom turquoise blue trailer with the white trim. The one that had a fire in the back room a few years ago, so that door is covered with plywood. The one that has a rusting avocado green refrigerator next to the matching greasy stove next to the grimy orange cupboards. The one that has no plumbing, no electric, and no outhouse. Just some good-sized bushes out back. And a little creek, with a little water.

And the neighbors? Our trailer is in the middle of two shacks, each about 40 feet away, inhabited by Shorty Zucchini and Don W. I meet them both after a short night of sleep on our mattress on the floor of the bedroom that didn’t have the fire, though I still smell ghost smoke. And with almost 20 hours of daylight in July, it’s a little tricky getting your body to surrender to sleep.

I am, however, slightly refreshed in the morning. And it’s time to meet the neighbors, so I take my first tentative steps into the acceptance phase of this experience. Husband knows I’ll surrender to this adventure. I always do. This is our dance.

I’m 5’2” and I look down on Shorty. Salt-and-pepper crew cut and leathery skin that crinkles around his eyes when he smiles. I guess he’s between 70 and 80. Shorty’s wardrobe consists of two baggy old grey sweatshirts with oily splotches, and two pairs of stained green work pants that have patches on the knees. Both, being too long, are rolled up about four turns each, and held in place by quarter-inch thick rubber bands made out of sliced inner tubes. On laundry day, Shorty takes one set of his clothes to the creek, washes them, then carefully drapes them over the scrawny bushes to dry, as if they were fine silks.

He’s very concerned about whether or not I like it here. “Now tell me, Judith, tell me honestly,” he says, looking me in the eye, “do ya really like it here? It’s kind of like camping out, huh. Tell me the truth, Judith.” I smile, and what starts out as a lie, eventually, as the days go by, turns into the truth. “Yes, Shorty,” I say, “I’m having a good time here in Alaska.”

Shorty never leaves to go gold mining. I don’t know why. It doesn’t matter. He’s like the neighborhood chipmunk. Always scurrying around. Here to there, there to here and back again. And like a devoted cat dropping off dead birds and mice at its owner’s door, Shorty drops off little goodies from his collections that he hopes will make my life easier here in his salvage yard. They greet us on our doorstep at the end of the day, when Fred comes home from his carpentry job and I’ve finished my daytime shift waiting on locals and tourists at The Blue Iris Café in Fairbanks. A disintegrating box of mismatched chipped dishes and silverware, a banged up vintage toaster with a frayed electrical cord that I have nowhere to plug in, even if I wanted to, an old stained porta potty he pulled out of one of his piles, no thank you, and another flimsy cardboard box full of folded, faded fabric that spews dust when breathed upon. “Here, Judith,” he says, handing the box over to me. “Just in case you want to make curtains.” Another time Shorty comes over and says, “Here, Judith,” and there, cradled in his outstretched permanently stained and cracked thick hands, and wrapped in a once-white paper towel scrap, is a necklace strung with tiny white shells. Probably made in China, though Shorty presents it to me as if it’s from Tiffanys. I drop it over my head; it hangs down on my t-shirt and I tell him it’s so pretty.

He never mentions any family or friends, and we don’t ask. Someone tells us he spends the winter in Yuma, Arizona on the Mexican border, and that he’s an ex-hobo from Chicago who came here to search for gold many years ago.

Maybe.

One morning, Shorty honors me with a tour of his shack. From the outside, it looks like it belongs in the slums of a third world country. A box, maybe 10 x 20, built out of a patchwork of plywood scraps, some black and greasy, some washed-out blue, some stained a natural color. Free stuff. The flat roof is covered with tar paper and sheets of plastic that flap in the breeze where they aren’t held down by rocks. A stove pipe sticks out of the roof. Inside, there’s one room, with a small extension for his woodstove. I see one lumpy single bed, covered with a dark blue pilled blanket. I see a white formica table flecked with glitter and full of scratches with a rusty metal edge…home to one pot, one pan, and a bit of silverware. Also, one metal folding chair and a dusty three-shelf bookcase filled with stuff. Some yellowed newspapers, cans of oil, two stained touristy coffee mugs, a conch shell, pens, pencils, and receipts. A small refrigerator, too. His home is neater than I had expected, unlike the piles of garbage outside, though probably permanently filled with a smoky aroma. Shorty’s house has all he needs, and probably all he wants. An Alaskan geezer’s version of Thoreau’s cabin on Walden Pond.

And I am ashamed of myself. Ashamed for how I judged Shorty and his salvage yard the day I arrived, for he is a good soul, a very good soul.

And then there’s Don. What to say? A beefy, six-foot, lovable bag of hot air.

Don slobbers his words. Don slobbers his food. And Don slobbers his chewing tobacco, the juice dribbling out the corner of his mouth and rolling into his scraggly, maybe 8 inches long, copper-colored beard with streaks of wiry gray popping out. His hair, which strings down to his shoulders, is rusty colored and greasy, like Shorty’s machines. I think he has one set of clothes. I never see him wash anything. His two essential wardrobe items are his heavy-duty, aromatic and stained tan overalls, with one strap always unclipped, hanging down on his bare, spongy chest, and his dirty red hat that says “Sea Alaska Products.” I don’t even know if he has hair under that hat. It’s part of his anatomy. His arms, his legs, his head, and his hat.

And I never do see him with a shirt on. Probably because he’s so proud of the large ship tattoo on his chest, about a foot wide and six inches high. Each saggy upper arm also has a tattoo. A ship’s steering wheel with a fish going through it, and an anchor with numbers on it. Don’s pride and joy. A retired merchant marine, he lives off his pension and money from trapping. And Don never stops talking. At you. He crams about 20 different tales into every half-hour segment. He breaks down when he talks about how his ex-wife left with their three boys 20 years earlier. He couldn’t find them for two years. My eyes water too, every time I hear this story. And then he snaps out of it, smears away his tears, spits some snuff out of the corner of his mouth, and starts all over again. Yak, yak, yak.

Don’s battery radio is always on, sitting outside amongst his collection of stuff piled on a table thrown together with Shorty’s scrap wood. His favorite station is KJNP. King Jesus North Pole. And at 9:20 most evenings, he ceases all activity, plops down in an old, dirty green plastic chair, stops talking, and tunes into Trapline Chatter. Serving non-telephoned people in the bush, this station relays messages amongst friends. A plugged-in carrier pigeon. “Bob and Donna. Hi from Al and Betsy. Everything’s fine. Baby girl Anna born last week. See you in town next month.” “Joe, hold off on your visit. I’ll be away at a job for a while. Back in September.” “Mary, happy birthday, eat a piece of cake for me.” Don loves this. He makes so many friends over these air waves, and not one of them knows he exists.

One afternoon, when Fred and I walk into the compound, as we now affectionately call our community, after work, Don hollers at us in his scratchy voice. “Hey you guys,” he says, “I got supper here. I made a big pot of soup.” And there, bubbling on his outdoor fire, in a big dented aluminum pot, probably picked out of Shorty’s trash, is dinner. Filled to the brim with sliced onions, zucchini, and cabbage, the vegetables as slimy as dead fish washed up on the shore. Boiled to oblivion for nearly two hours. Turned white and limp. With no salt, no flavor, no aroma. But my, is Don pleased that he cooked for us, and we tell him it’s delicious.

Summer ends, and I fly home to my counselor’s job, wearing jeans. And I miss those two old geezers. But I don’t show their photos to many people, because they won’t get it. They’ll think that Shorty and Don are a couple of Alaskan bums. Like I did, when the electrician and his wife dropped me off, a little more than two months ago.

Come November, we get a letter from Shorty, written on Thanksgiving Day. It smells smoky, like his house, like his clothes. And in his wobbly handwriting on this smudged and wrinkled scrap of paper, he writes, “Don and I are going to wash and clean the messy pots and pans that the Rescue Mission is using to cook Thanksgiving dinner for all the comers.” He closes with, “and while no decision has been made, expect Don and I to be knocking on your door one of these days.”

We hope they do. But we never hear from them again.

2022

Writing this, I wonder about our friends. What happened to them?

I search obituaries and find that Shorty died when he was 87 in Ester in 1998. That’s it.

When he was born, when he died. No relatives. Nothing. Two lines. Did he die alone? Did one of those guys who came to pick through his junk find him sprawled out on the dusty, gravelly ground? Or lying on his lumpy bed? Was Don there? My eyes are watering.

And Don W.? His obituary says he was 81 when he died in Tucson, Arizona in 2009, survived by two of his three sons. He proudly served his country in the U.S. Navy during WWII and later became a Chief Electrician in the Merchant Marines. Donald was a 1960 Graduate of Paul Smith Forestry College, Paul Smith, NY and went on to work as a U.S. Forest Ranger. Memorial contributions may be sent to: Disabled American Veterans.

Farewell, my friends, farewell.

My eyes are still watering.

And may you rest in peace.


Judith Howe holds an M. Ed in Counseling from UNH. Previously published in The Christian Science Monitor, she’s currently working on a memoir titled, Tales of Amusement, Adventure and Angst in a 50-Year Marriage. She lives in NH with her husband.

 

It Runs Deep

 

“The Glass that Becomes Us” by Maggie Yang

By Elizabeth Paul

 

At 3:00 AM I awoke awash in moonlight and straining for air in a bedroom that still held the day’s indomitable heat. Though summer in Central Asia’s Ferghana Valley is not exceptionally hot—temperatures only occasionally climb above 100 degrees Fahrenheit—it brings a dry heat that leaches moisture, parching one’s lips and nose, splitting the wood planks of benches and bridges, and powdering the earth with a fine tan dust. The heat permeates and possesses things, including the concrete walls of old Soviet apartment buildings like the one in which I awoke in Osh, Kyrgyzstan.

It was July, and my husband and I were visiting his mother, aunt, and sister in Osh, where I had lived for two years as a Peace Corps volunteer. When overcome with heat in the middle of a summer night in this place without air conditioning, I often went to the bathroom sink and splashed cold water on my face. But this time, the balcony adjoining the bedroom beckoned me. I swung open a window, leaned out, and took deep breaths of the night.

A full moon shone over a hushed and dusky settlement of four-story apartment buildings, and low houses huddled behind white-washed walls. In the dark, all the trees were silhouettes, and in the distance, the wild, soft spikes of cypresses rose like husky voices from the western hills. Between those hills and myself ran the Ak-Buura River that I couldn’t see but knew was there, at the heart of the city of Osh. I imagined its waters tumbling quicksilver through the moonlit night under the platinum sky and a tympani of stars. I surveyed the hilltops where specks of red suggested the insentient, strict alertness of radio towers and soft points of yellow glowed like the anchors of sleepers adrift in the dark. Then a declaration of lightning scrawled across the horizon. But there were no storm clouds and no thunder, and the electric script appeared a message just for me.

I was always trying to decipher this city. In Osh I was an explorer, mentally mapping the streets and carefully observing the customs. Linguistically, I was a child, learning Russian from scratch. Culturally, I was a hesitating initiate, wanting to expand myself, yet unsure how much I could change. I sat at the city’s feet with everything to learn.

Now I no longer live in Osh, but memories of the city inhabit my imagination, and I am still compelled to try to understand this place that runs like a river somewhere deep inside me.

Osh is Kyrgyzstan’s “second capital,” the first and official one being Bishkek. Bishkek is in the North, not far from Kazakhstan, while Osh is in the South, bordering Uzbekistan. With a population of about 900,000 to Osh’s 250,000, Bishkek is bigger and also more Russian than Osh—more related to the Soviet city it once was. Originally an oasis on a Silk Road caravan route, Bishkek was first Pishkek, a stronghold of the Kokan Khanate. Then it became a garrison town of the Russian empire and later Frunze—the capital of the Kirghiz Soviet Socialist Republic. After the fall of the Soviet Union, Frunze was renamed Bishkek, seeking to become the capital that it suddenly was—the economic, political, and cultural center of a new democracy, the Kyrgyz Republic, or Kyrgyzstan.

Kyrgyzstan has had three revolutions since the fall of the Soviet Union, each accomplished by protestors storming the White House in Bishkek. In its 25 years, Kyrgyzstan’s volatile government has been courted by the U.S., who opened an air base in Bishkek in 2001, Russia, whose cancellation of a 500-million-dollar debt allegedly prompted the closing of the U.S. air base in 2014, and China, who has invested capital and labor into Kyrgyzstan’s roads and mining industry. Rare metals are Kyrgyzstan’s only natural resource, and the economy of the young republic relies on these foreign sponsors vying for influence in a region with strategic geopolitical value as well as gas and oil. With its post-Soviet independence and international suitors, Bishkek is like a teenager trying to figure out who it is or like a new divorcee attempting to start over.

Osh has no such pressures. Separated from Bishkek by 187 miles of mountains traversed by just one 400-mile road, Osh is far removed from the questions and concerns of statehood thronging the capital. Osh is a city over two thousand years old, with one of the largest and oldest bazaars in Central Asia. If Bishkek is the angsty teenager, Osh is the serene elder. Osh is in no hurry. It goes about the business of being itself. It is too old to care what anyone thinks, to ruminate on its identity, or worry about the future. While the Lenin monument in Bishkek was moved to the back of the history museum, the one in Osh has been left standing in the government square.

A sculpture of Lenin may be less portentous in Osh because the city has a much bigger and more enduring monument than any statue—the 500-foot Sulaiman Mountain (Sulaiman-Too, in Kyrgyz). This limestone spur of the Alay Mountain Range rises abruptly from the valley floor like a notched and broken fin in the center of town. It is said to have been a major sign post of the Silk Road and, with over 100 petroglyphs and several shrines, a sacred site for both Muslims and pre-Islamic Central Asians. It is named for a prophet of the Qur’an thought to be buried on the mountain, and thousands of Muslims make pilgrimages there every year. In 2009, it became a UNESCO World Heritage Site “believed to represent the most complete example of a sacred mountain anywhere in Central Asia, worshipped over several millennia.”

One can’t be in Osh without being in the presence of this ancient sacred form that seems as impressed upon the surrounding flatness as emerging from it. Its sudden incongruity makes it seem as much a consciously-made creation as a chance geological formation. When I see the mountain from a distance arching against the sky, I can’t help but think of it as some special dispensation, like a name or mission, and feel that I’m in a place somehow ordained.

In the simplest terms, Sulaiman-Too is something where there could have been nothing, and that provokes big questions: Why are we here? Where does life come from? Why would we be alone in the universe? The mountain is history and prehistory, the sediment of years unimaginable. To try to wrap one’s mind around millennia—that is living in Osh. The mountain is making sense of existence on the earth’s surprising surface. It is faith in something higher, and it is that something higher. It is paths for pilgrim feet and accomplice in utterance with human hands. How can one not be contemplative in the presence of this mountain or at least feel humbled and small?

There is a paved trail that leads up Sulaiman-Too to a railed overlook where the flag of Kyrgyzstan snaps its red and gold spirit against the sky across from a small mosque named Babur’s House after the fourteen-year-old, 15th-century emperor who commissioned it. The mosque’s façade is a rectangle of pale brick inlaid with an arabesque in white plaster. It frames a domed and recessed space before which men leave their shoes at the door. As a woman, I’m not allowed to enter. I walk past a vendor with a freezer of refreshments, stand at the white, scrolled railing, and look out over a city whose size and sprawl are unfamiliar. It’s not that I can’t pick out the city’s landmarks—the white monolith of the library, the factories’ smokestacks, the slanted roof of Kyrgyz Telecom. It’s just that Osh feels so much smaller and self-contained from the ground. But the improvised, pacific spread of low buildings feels familiar in its unassuming and easy manner.

From the mountaintop, you see how big the city is and you see how small it is, how it lays in the valley like a pool of salt on a tablecloth. You realize that Osh is a swatch of valley as much as a city—a point on the globe where winds meet, where winter ends in March, and what a luxury that is in a country covered in the steely peaks you see in the distance. Osh is oasis, temperance, abundance. It is a place to be grateful for sun, soil, and harvest, for the succession of strawberries, peaches, raspberries, and persimmons. The serenity of Osh is the assurance of summer.

The last time I was on Sulaiman Mountain, I sat on the ridge behind Babur’s House and watched people at a holy site—a natural slide in the rocks worn slick and shiny by believers in its ability to cure back pain. Children clambered up the rocks, slid down, and started over again. Then a couple arrived. They were probably in their sixties. She wore a long, rose-colored dress with elbow-length sleeves and a matching head scarf. He wore gray pants, a white, short-sleeve, button-down shirt, and a kalpak—the traditional Kyrgyz black and white felt hat that sits tall atop the head. The wife went first. Her husband pushed her rear end from behind to help her to the top of the slide. Then she sat down and stretched herself out. She had removed her sandals, and her pointed feet glowed in white ankle socks. She leaned back, pushed off with her hands, slid down about a foot, and stopped. She was stuck. She struggled to sit up, to scoot herself forward, to move at all, and in her awkward efforts she started laughing, and her husband laughed at the sight of her. They laughed at their age and extra pounds and the sudden appearance of the children they carry inside. They stood outside themselves and laughed heartily at what they saw, and I admired that. I hoped that I might have as much grace and good humor.

I don’t know if the couple were pilgrims or if they were seeking a cure for back pain, but I love the idea that such a serious mission could include so much laughter. And it may seem obscene, but I love that someone is selling sodas and ice cream bars just a few yards from Babur’s House. Part of me even loves the way people drop their ice cream wrappers on the ground and leave their empty bottles behind on this UNESCO site and sacred mountain. I admire the ability to not take things too seriously, and that’s what the silver sparkle of sticky ice cream wrappers glittering in the sun on this holy mountain means to me.

Perhaps there would be no Osh without this mountain at its center. The curious rise of rock must have drawn people like a vortex through the millennia. And the proximity of the Ak-Buura River must have made it a practical place to settle. I see the tributary over centuries as in time-lapse photography, first a meandering line in an open valley, wiggling oddly in its variations—tiny movements relative to its roughly constant course. Then structures appear alongside it—first yurts, then adobe dwellings, then concrete houses and apartment buildings. People keep coming because it is a good place to live. The settlement swells into a city.

Though Sulaiman Mountain is the landmark of Osh, its silhouette synonymous with the city, it is the Ak-Buura River that I keep coming back to, that I imagine when I’m looking out at Osh from a balcony or remembering Osh from halfway around the world. This river isn’t remarkable. It isn’t wide in its passage through the city—maybe thirty feet. It isn’t long. It isn’t particularly good for fishing. As far as I know, no one’s ever written songs about it. Its name means white camel, and in early summer when it rushes down from the mountains, its white-crested waters roll like camels’ backs. Other times it is slow and calm and blue. When it rains in the mountains, it is tan and foamy or dark brown and turbulent. In its delineated flow, it is a balance of continuity and variation, consistency and flexibility, containment and motion. It has a calm liveliness or a lively calmness.

I marveled at what the people of Osh made of the Ak-Buura River. In the summer they swam in it. Boys in their underwear played on its islands of rocks. All day long they swarmed the footbridge near the Karl Marx School, jumping into the current and riding downstream. Some girls swam too, in proper swimsuits, or stood on the grass talking, playing, and looking after siblings. In the evening adults came with blankets, waded in the water, and smoked cigarettes on the riverbank—relaxing along the cool tributary to cope with the valley heat. Children in charge of livestock drove their cows along the Ak-Buura. Men parked their cars on its shoulder, cleaning them with buckets of river water. Occasionally I saw someone fishing, washing clothes, bathing babies on its margins, or submerging watermelons or bottles of beer to keep them cold. And when the city shut the water off, people walked to the river with their buckets for the essence they couldn’t live without.

Water isn’t taken for granted in Osh, where nothing flows from the faucet for days at a time. So the river speaks the simplicity of life—how it’s a primal matter of survival, not the calendar of countless activities we try to manage but something clear-cut and imperative like the waterway that slices through the crust of the earth with a pushing, pulsing force of its own. We may understand its susceptibility to human impact and its origin in spring or glacier, but a river incarnates independence—volition, momentum, and direction—something self-existent and certain. It is a timeless vitality and seamless teeming. The city’s three main streets run parallel to the Ak-Buura, one on the right bank and two on the left, so that the city seems the river’s reverberation, a ripple of its restrained perpetual energy. The river is the sound, and the city its resonance. The river is the branch and Osh its blossom.

In Osh, the spirit of the river is everywhere. You see its calm liveliness in the glittering Ikat patterns of Uzbek clothing and the orderly curled waves on the perimeters of Kyrgyz rugs. It is in the spacious tea houses where people sit cross-legged at low tables sipping from shallow cups. It is in the old men’s chess games in the park and people strolling the sidewalks arm in arm. It is in the small mountains of watermelons on summer street corners and the circular loaves of bread imprinted with circular patterns. It is in the daily round of the call to prayer and in prayer itself—that calm liveliness or lively calmness.

I have heard Westerners say that the serenity of Osh is due to its large Uzbek population. Uzbeks are stricter Muslims than Kyrygz, abstaining from alcohol and observing prayers more faithfully. And while the Kyrgyz are traditionally nomadic, Uzbeks have been settled farmers and merchants for centuries. Kyrgyz and Uzbeks have shared the land of present-day Kyrgyzstan since the end of the Mongol empire in the 13th century. The Kyrgyz rode their horses or donkeys from mountain pastures into silk-road cities to trade their livestock, wool, and animal skins for the Uzbeks’ textiles and metal ware. But often the city-dwelling Uzbeks considered the nomadic Kyrgyz lazy and wild, while the Kyrgyz saw the merchant-class Uzbeks as swindlers—so I’ve read. And since the end of the Soviet Union, these sometimes rivals have competed for increasingly fewer economic opportunities. Thus, the large Uzbek population in Kyrgyzstan’s second-largest city is also commonly cited as a cause of tension.

Osh is one of the easternmost settlements of the Ferghana Valley, and with its large Uzbek population, Osh is connected culturally as well as economically to the rest of the valley’s inhabitants, who are citizens of Uzbekistan. That Osh ended up as part of Kyrgyzstan is credited to Stalin, who is said to have drawn up the bizarre borders of the Central Asian Soviet Republics to promote ethnic rivalry and prevent nationalistic revolt. Sadly, Osh has seen enough ethnic conflict to suggest the efficacy of this totalitarian tactic. In 1990, a land dispute between Kyrgyz and Uzbeks escalated into three days of violence, with official death tolls ranging from 300 to over 600. And in 2010, several weeks after Kyrgyzstan’s second revolution, ethnic fighting swept Southern Kyrgyzstan for a week. There are different theories about what sparked the widespread violence, but local sources say anywhere from 1,500 to over 2,000 people died in and around Osh. Over 400,000 people fled their homes, and nearly 3,000 properties were damaged and destroyed. When I was on Sulaiman-Too in 2012, the city below glimmered with new metal roofs where, in 2010, whole mahallyas—Uzbek neighborhoods—had been torched.

Pogroms, rape, and torture—this isn’t the Osh I know. But it’s the Osh I read about now, back in the U.S.—a city of “the restless valley,” a “tinderbox for violence.” These are apt names for a place where—as Western sources like to point out—the threat of violence is always just beneath the surface like the seismic faults that agitate Osh with earthquakes. It’s important to know this. And I don’t want to downplay the serious long-standing ethnic tensions in Central Asia, but this is not the only version of Osh. It is true that Osh is not really removed from the problems of nationhood, but the serenity of this city is not mere surface. It runs deep.


Elizabeth Paul’s work has appeared in such places as Cold Mountain Review, The Carolina Quarterly, and The Briar Cliff Review. Her chapbook Reading Girl explores the art of Henri Matisse. She was a Peace Corps volunteer in Kyrgyzstan and currently teaches writing at George Mason University. Her website is elizabethsgpaul.com.

 

Glacial Speed

 

“Mission Creek Montana” by Jeff Corwin

By Annie Penfield

 

I pluck a clear-glass ice chunk from the glacial waters and bring it aboard to drop into my whiskey. A gesture of extraction or a communion: I am not sure. Earlier today, we motored around icebergs, maneuvering to get as close as possible to the terminus of the Sawyer Glacier. In the dingy, pelted by rain, wearing five layers of clothing, I watched the ice cleave, drop, dive, surface, bob, and drift. I would like to think my experience of this place, now at this age, is more assimilation than invasion. Currently, my husband and I, only us two, are aboard a 48’ sailboat in Alaska. Back in the lower 48 are our adult children, our jobs, our dogs and horses, our farm, and our aging parents. As a 54-year-old woman, I know I am not alone in a desire to shift life tides, to evolve my identity, to re-evaluate my ambitions, and to move towards what makes me feel more alive. A litany of life’s injuries redirects me to age into new pursuits. My mind resists and rebels but reveals an agility to absorb new influences. Aging amps urgency, but I seem to be moving at glacial speed. This is now my second trip to Alaska, and we have travelled north to explore the glacier. I swish the chunk of glacial ice in my glass and marvel at its clarity.

These excursions to Alaska feel like a whim, a departure from reality, but that sentiment would dismiss all the years my husband dreamt and planned this sailboat. I have hired a manager to run my business. I have retired my competition horse. Our children are all in college. Friends embark on chemotherapy—and divorce. Time moves fast and with consequence. Our climate is erupting along caste and class and climate and covid lines. The ground shifts and I want to move with it. I am ready to be in a place that answers only to winds and tides—and not the political variety. The sailing isn’t my dream, but my dream is that sailing might provide some answers.

Lulled by water on the hull, light through the small portholes, raindrops riddling the hatch, halyards clanking on the mainsail, I shift to the rhythm and sounds of the sea. We float within the sanctuary of Tracy Arm Entrance Cove, south of Juneau, along the Inland Passage.

I thought the immensity of this wild would soothe me and mollify the damage in the world. Here, I would begin to know how to right my course. There’s a story I seek to shift in being here. I thought it was my own, but now I understand the story is bigger than me, and it is also me.

On my first trip in May, I struggled to adjust to the climate and the space aboard Rapport. I didn’t expect the space to feel tight, but perhaps after leaving Vermont when spring was shouting—daffodils in bloom, horses back in work, pastures greening up, leaves unfurling—it was hard to rein in my energy. Displaced, I was not quite sure what to do with myself while Kent frittered with electronics, checked oil, stowed covers, and prepared to cast off from our slip in Ketchikan, and I sat below deck, drinking tea. We were on course to Punchbowl Sound, a fjord in southeast Alaska. We passed dozens of bald eagles along the shoreline as if this was the last best place on earth to seek refuge. On shore of Punchbowl Cove, a rock moved, and so revealed itself to be a brown bear eating grass. We kayaked close to shore to watch.

Without cell service and deep within the fjord, bears on the beach and mountains rising from the ocean, we have entered a wilderness. And without another boat or house in sight, we have left civilization. With the backdrop of three-thousand-foot cliff walls, Rapport looks so small. It’s hard to capture the immensity of the place. We are right-sized and powerless to the surrounding forces.

I came to a better understanding of this power and our powerlessness in the dark hours of the morning following our glacier visit. Waters calmed when we turned into our berth, but at two a.m. we awoke. Rapport strained on the anchor chain; the boat listed, and the wind battered us. When the wind hit fifty-eight mph, I pictured being dashed upon the stony shore.

Kent moved to the main cabin and took watch. I closed my eyes and remained in the stern berth and let a ticker tape of thoughts storm my brain. Was it too cold to swim? What happened when the anchor pulled free? Would we have enough power before hitting the rocks? Should I pack a bag? What would I put in the bag? Should I change out of my pajamas into full storm regalia? The bunk tilted. I listed dramatically to starboard. We swung violently sideways. I didn’t look out the portholes. I curled deeper under the down comforter. The rain hammered the deck above and I felt the swing of the boat. I was in the clutch of the ocean.

I didn’t want to see the rough seas, the trees bent to the wind, the white waves crashing on shore, the angle of the mast, the slant of the deck. “The anchor is holding,” Kent called from the main cabin. We had no cell reception. The satellite offered no radar reports or updated forecasts. The storm we thought we had missed was upon us and we had no idea how long it would last. The storm was a resounding reminder of how little I knew, and how out of place I am on a sailboat.

At nine a.m., the wind hovered around thirty mph, and Kent decided it was the moment to pull anchor, point the bow into the wind, and head south. The relief of a storm is knowing there will be another side of it, and there was a good chance we were already venturing out of it. Kent went out on deck, and I took the helm. The anchor released the muddy floor, and we headed into the wind. Having taken two Dramamine and sporting acupressure wrist bands, I focused on our course in order to ward off seasickness and to dispel my fear of rough seas. To find some control within my chaos. The bow rose high on a crest, and then fell into the trough—not unlike a roll of the canter stride. I bent my knees to stay loose and ride the ocean swells. I gripped the helm. Rain pounded on the canopy, mottled the screen. Our breath fogged the interior. Kent toweled the visor to improve our visibility. It helped. We pointed to the wind and motored on, bow rising and falling over fifteen-foot swells.

In a trough to our port side, I saw two small black birds. They bobbed within the trough, rising and falling with the ocean, disappearing and appearing in my view. Small heads craning but not looking any different than on quieter waters. The birds, sitting and powerless within such grand forces, rested on the ocean. Why would they choose to be on the heaving sea when they can fly to land, and ride this out on a branch of a tree? Why would they choose to remain on turbulent waves? Unless they don’t experience the seas as turbulent. Aligned with the power, they are right with the world.

Leaving my job and animals and adult children doesn’t feel quite natural. I am out of my element; I am not right with my world. I can feel the wind blow and change direction; I can see the tide rise and feel the current shift. But I don’t know what to do with this information. I grab my book and tell Kent I am going to sit on the uphill side. “Windward,” he says. I watch the bow rotate and pivot. “Look at how the bow rolls,” I say. “Yaw,” he replies. There is a language for everything, and I know none of it.

When I left Vermont, the legislature had just passed the bill apologizing for the Eugenics law. This place so big and wild also holds the tragedies of our white invasion on native lands. A year after the pandemic and social protests, I see this place differently than I might have a year ago when I would have been only focused on the land and not the people, like us, moving over it, and I think about others who have come before me.

When I first heard the story of Celia Hunter, a woman who set her course for Fairbanks and adventure, I marveled at her persistence and ability to thrive in the heart of Alaska. Celia, and her friend Ginny, signed on to fly for an Alaskan pilot looking to have planes delivered from Seattle. The thirty-hour trip took twenty-seven days, and they arrived in frozen Fairbanks on January 1st, 1947. Five years later, she settled in the Alaskan wilderness, and then set about to save that place, and the Arctic National Wildlife Refuge, among other places. Her story is mythological but also close to home. My mother met Celia at a conference in Anchorage.

My mother first traveled to Anchorage to attend a conference in 1989 at the suggestion of a journalist friend. She had no agenda other than it aligned with her land conservation work in New England, and she had a starstruck feeling about Alaska after a sailing trip in Prince William Sound with friends in 1987. At her home in Massachusetts, she had been the chair of our town conservation commission, founded a now county-wide trail association, and worked fundraising for several New England land trusts. She was an expert in easements and zoning. She was 47 years old, and her youngest child (me) had gone off to college, and she had arrived at the conference on a bit of a whim. Now she tells me, “I was in a funk. I didn’t know what I was doing with myself.” Sounds familiar. The coming of (middle) age identity-creation story.

She wandered about the lobby like a displaced person—or perhaps as a person Celia Hunter recognized as looking exactly in the right place—like a person on a mission. And she recognized a kindred spirit. Celia asked her if she needed help. My mom says now, “These women were so genuine. They are there for the place to live a lifestyle they can’t live elsewhere. For me, it was a life-changing place and sharing with these famous women, and they don’t forget you.” They become friends and allies for conservation.

But she told Celia then, “I don’t know what I am doing here.”

“Stick with us,” said Celia, as she sat with Ginny Wood, her partner in Camp Denali. How lucky she was to have this powerhouse woman lay claim to her, and now, thirty-two years later, we stepped off the sailboat and met my mother in Anchorage, and we prepared to board a train on a journey to reach Celia Hunter’s Camp Denali.

Celia, Ginny Hill-Wood, and her husband Woody built Camp Denali with their own hands. They cleared land, skinned logs, and built tent platforms, a lodge, and a bear cache. They were notched into a ridge that faced Denali. From this camp, they would take paying guests hiking into the surrounding wilderness.

Camp Denali was an accumulation of Celia’s experiences, each moment leading to the next, to tip into creating the Camp, and then to protect the creation by taking a lead in conservation. Her evolution began with her pilot’s license at age twenty-one at her home in Washington state. She then transported war planes when she served in the Women’s Air Force Service. There she met Ginny, and together they worked to get to Alaska, and finally succeeded in transporting planes to Fairbanks in winter. When they landed in Fairbanks and extracted their frozen selves, they did not want to leave. They scrambled to find work as bush pilots, often delivering visitors to a hunting lodge in Kotzebue. Then a year traveling around the hut system in Europe revealed the possibilities for a different visitor experience in Alaska. Taking advantage of the Homestead Act, they staked a claim with a view of the mountain. Launched in 1952, Camp Denali was the intersection and evolution of all those experiences and pioneered the industry of eco-tourism.

Celia realized it was possible to endanger a wilderness even a large and wild as Alaska. She worked with Olaus and Mardy Murie to establish the Arctic National Wildlife Refuge to protect the grounds for the Porcupine Caribou herd. This work further exposed Alaska to outside opinion on open space and governance. In response to inside resistance to outside pressures, Celia helped found the Alaska Conservation Society for Alaskan residents only. She wrote columns for the Fairbanks newspaper and opposed dams and drilling and lobbied for the Alaska Lands Act. She had flown to Alaska in 1947 for adventure, and Alaska claimed her. She wanted to continue to fly over vast open lands, to share the enjoyment of the place, and that evolved into a stewardship that garnered support to create a movement and a structure to keep space open and wild. She had the foresight to know that Alaska could not maintain open space without policy and people. And she had the guts to fight for that land: “You’re going to have to bite the bullet and really decide what kind of world you want to live in,” she wrote.

Over the course of the summer, I travel to Alaska for two-week stints, and then return home to my business and my animals. Trips like interludes, providing space like a deep breath, like breaching, to ask questions to challenge my daily routine: Am I effecting a change in my life? How do I transform within the life I am living?

One means to shift the story of my life would be to move onto this sailboat: to adapt, learn the language, and stay aboard. To do this would require me to discharge my life in Vermont of a business, and horses, and what of the dogs? Such a change seems not an evolution of my life but an escape. Transformation is organic, debated, trial and error—built on small movements to a lasting change. This sailboat marks a pivot from my landed life—perhaps the lever of transformation. Like the glacier carving the earth, we transform slowly. New direction may strike in a moment, like an epiphany, but transformation evolves from gathered pieces of understanding, and experiences that meld, and tip into the larger realization, until my landscape is reshaped by the force.

Now run by a third generation, Camp Denali exists as a private in-holding within the now six-million acres of Denali National Park. In June, in the company of my mother, in the company of our three children, Kent and I take a bus and travel the only road through the park, a single lane dirt road, to mile eighty-nine of the ninety-mile park road. At a small sign beside the road, we turn nearly ninety degrees into a twisty, dog-legged lane along rows of cabins, climbing higher to the small log lodge. All day we travelled under a blue sky in the company of Denali, shoulders above the other mountains in the Alaska Range.

Now, instead of canvas tents, we stay in log cabins with outhouses. From our cabin window, we stare at the massive Denali, a pastel chimera on the horizon. My mother, now 81, has been anxious about the long train, longer bus ride, and the eventual outhouses. But she is motivated by a single regret: that she never accepted Celia’s invitation to visit her at her Camp. She and Celia often met in Moose, Wyoming, home of Mardy Murie, or in Anchorage. Celia died in 2001. My mother’s last trip to Alaska was twenty years ago for her life celebration. While we hike, my mother sits in the lodge. The staff come to her for stories of Celia. She needlepoints and stares at the great mountain before her, the same view Celia and Ginny took in seventy years ago.

We hike every day, in all weather. The low rumble of the Muldrow glacier, experiencing a phase of rapid advancement, surges into the river basin. Caribou cool in the snow patches while the sun blazes above us. A moose submerges his entire head into a kettle pond, emerging with water streaming off antlers. A wolf print in the sand of the riverbank sparks our excitement as we wade through streams engorged with ice melt.

I expected jagged peaks and lush plains to support the oversized wildlife, but instead we have rolling mountains and hundreds of variations of lichen. The spongy tundra is kind to my achy joints. The terrain undulates underfoot. It has forgiveness. We hike above the tree line, yet don’t lose breath. The latitude is high, but not the altitude. I feel superhuman to be scrambling across scree, parting the willow canopy, fording streams, clambering a rock face on all fours, and following social trails laid down by caribou, grizzly, and moose—as if we are all members of the same community and on the same path. Breathing easily and keeping up with my kids, and then taking the ebullient stride across the tundra back to our bus, I feel as timeless as the landscape—no arthritis slowing me down, no lack of breath hampering me. Below us, the floodplain stretches wide and sandy and within its rock are fossilized dinosaur prints we learn about from a Fairbanks paleontologist during an evening talk at the Camp. As if the Triassic era was just yesterday. As if we walk in the footprints of those who walked only moments before us: the wolf, the bear, the moose, the theropod three-toed dinosaur.

What we see in Denali is the same as what Celia saw. And not the same. The permafrost is melting. The glacier surged—as it did last in 1957, under the watchful eyes of the original camp owners. I listen. I listen for the sound of surge. I listen for the wolves in the evening. I listen to the guides and learn what is the favored lichen of the caribou, where there will soon be berries ripening, and what flowers will bloom. Life in the details. It’s not just the scale of the vast valley, and the uninhabited wilderness, and the overly large mammals, that put me in perspective, but my total lack of knowledge. I know little. Be quiet, learn your place in the world. I hear their reverence for this place, and while I marvel at the vastness of mammal and mountain, I hear about the minute. And how the detail of landscape is what nourishes the largesse: the lichen to caribou, the algae to the moose, as with the plankton to a whale. And I hear how these people worship this place through their specific knowledge of it.

I welcome my middle-of-the-night trips to the outhouse into the solstice alpenglow. I don’t stumble in darkness. I love to enter the cooled air and inspect the light. A woolen wrap about my shoulders to shield me from mosquitos. Every night I emerge at a different hour but always to a lightened landscape. Unmoored by the constant light, by the looming mountain, I stare from my open outhouse door at Denali, from the Koyukon meaning “the Great One.”

For Celia, her desire to share the wonders of this place with others became yoked to her ferocity to protect the wilds. As Mardy Murie wrote in Two in the Far North, “life up here gets hold of you so you can’t fit in anywhere else.” And too, my mother came for a place and returned year after year for the people who fought for the place, who rose to the challenge to keep open the spaces you love. And my mom expanded her network over the years, taking her to Arctic Village and Kachemak Bay, Homer and the Kodiak Islands. The people, genuine and placing the land above themselves, inspired her.

We perpetuate harm in small and large ways, and the small actions add up: a cord less wood in the woodstove, a day less of driving, my own containers at the market. Small actions that express the mantra of my mother of moderation. Am I doing the very best by the place I love? Increase renewable energy sources at home. Spread more manure. Compost food scraps. Let more trees rot into the soil. Eat locally. Eat less meat. Drink milk because it’s from my neighbor’s farm. I shift my role at work from management and budgets to education and advisory. My former duties cleave and fall to others; I witness their energy and ideas enter our workplace. I create space in my days to allow new opportunities. I put my name forward to be on the board of the newly-created Ashley Community Forest. The community forest, near my home, offers possibilities for a larger trail network, wildlife habitat, school programs on ecology, a site to tell all the histories upon the land, a forest management program to provide heating assistance to local families, and a forest plan to model stewardship. I am operating within the same parameters of horse chores, work travel, dog walks, pick up CSA food, ride my horse. Changes are small, incremental, and feel like not enough, and too slow—glacially slow. My efforts are like lichen, the minute upon which larger forces are propelled.

I would prefer not to experience a catastrophic event to precipitate change, but how do you measure catastrophe? Perhaps it’s here, and we’ve adapted to the damage, and we are so inured to our surroundings that this is now normal and acceptable—and measurable, like the retreating glacier. The Sawyer Glacier, a piece of which I held in my hand, breathed, surged, sounded, and shed. The size of it looked immense. Yet according to our map, Rapport should have been sitting on an ice mass, not floating in a fifty-eight of water. NOAA last surveyed the Tracy Arm in 1974, and then updated the maps in 2018, which revealed that the Sawyer Glacier had regressed .75 miles during that time. According to our chart, the glacier has retreated an additional .35 miles in the past three years. My rough calculation tells me that the glacier receded an average of 90’ a year in the 44 years between surveys. In the past three years, it has receded 616’ a year. Experience of this retreat amps my urgency and search for climate action to make a difference.

Reach for abundance, don’t retreat. Save money and resources. Moderation: determine a carbon footprint and live within it. Create carbon offsets within my life and not a tree elsewhere. Support efforts within my state to create regenerative economies and make land available to all, not just a few. Move towards a vision. Through my daughter, I have come to know the work of a new generation of Vermonters creating afro-indigenous retreat centers and educational programs. The mission is to provide a space for black and brown peoples within our state, to feed them through their CSA, build a network upon stolen lands, to raise food and folk medicine gardens, and tell the stories of their heritage through their crops and medicines. A safe place for individuals to escape repeated harms. I am uncomfortable to sit with the knowledge I am that predator of which they speak. I sit with that knowledge. Community farms are a small vision to move us towards inclusion and food security and homes. I am appointed to the two-town, five-member committee to oversee the Ashley Community Forest to develop a common vision for the forest, through public conversation, and transition the forest from an idea into shared space with programs and to work across town lines to model conservation based on land and not boundaries. Like the Ashley Forest, I am feeling not fully realized, but I have many new opportunities developing. Glacial increments, but I look around to see a changed landscape.

In late September, I am back aboard Rapport and moving south down the Stephens Passage to Wrangell, where we plan to haul her for the winter. The rain pelts the dodger, and I think about all I have seen over the summer. Traveling among whales, watching grizzly mamas and their cubs, escorted by dolphins surfing our wake, the ocean brimming with sea lions and kelp: the wild world feels right. It’s easy to dismiss the disruptions to the climate, the retreating glaciers, to deny the shifting maps and the carbon we belch. Salmon seems plentiful when purchased on the docks from one of the many, many fishing boats tied up around us in Petersburg. Here the skies are not clouded by the haze of western fires. The seas look abundant with marine life, and also with storms. A glacial pace used to mean excessively slow, but now the glacier moves with a rapidity, at a pace like I feel my own desire to make change—at a gallop.

Sometimes being extracted from a familiar landscape and residing in a new place allows us to find a piece of ourselves. We must be willing to move out of our place and our comfort zone, to delve into the stories of our lives but also craft our days to hold the shape of the stories of others and hear the harm we have done. I seek out conversations to expand my boundaries. These new places, small farms and glacier visits, Denali and Wrangell, Vermont to Rapport, sharpen my sensitivities and alter the parameters of my daily life. I stretch my reality through place. The devotion to listen to the place and the stories upon it is the way to shift my story.

In Wrangell, we prepare the boat for a winter on the hard. Hauled and held aloft by scaffolds, she is a boat out of water. Between duties, we bike five miles south of town to walk to Rainbow Falls. Stepping on boardwalks, thick pine planks encased in wire, steps as wide as a whale’s vertebrae, we climb the spine of the ridge above Institute Creek. The Wrangell Institute was not some environmental research center as I had decided in my brain when I saw the point on the map, but a boarding school opened in 1932 by the Bureau of Indian Affairs to educate natives: to beat them for speaking their own language. To teach older children to beat younger children. It was decades of every abuse until closed in 1975.

Next day, I walk the rocky shore of Petroglyph beach. The sign says there are at least 40 noted petroglyphs on rocks, worn faint by hundreds of years of tides. I wander the rocks blind. Is it my white eyes that cannot see the history, that don’t know how to read the symbols? I stumble from rock to rock, unseeing and feeling ridiculous. I cannot leave until I see at least one, I tell myself. I look to bigger rocks that strike me as better canvas and a spiral indent emerges, and then more appear: salmon eyes, the shape of a fish, more spirals. Stories abound on rock faces. I thought I would feel the power of this place, so indelibly marked as special, but why should it speak to me when I have never listened before, never in 3,500 years.

The ghost-cries of brutalized children that rise around Institute Creek, my ears hear. The symbols of fish carved on rocks that my eyes see. The briny taste of kelp prepared in our galley. Drinking in the glacial melt in my glass as I sit in the cockpit surveying the murky twilight. I recall the feel of the tundra around my arm and the cool frost deep within its tangle. The chill of the ocean in which I submerge a hand while kayaking. I have mingled breath with the spouting whales passing our sailboat and laughed with porpoises popping through the bow wake. Awe fires my endorphins and lifts me to feel the earth-abundance.

I return home in time for foliage. I walk the trails with my dogs. Listen to the crunch of leaves underfoot, look to the bare and tangled branches overhead. Feel the circulation of the woods. My dogs nose the scents from the rotting leaves and chase a squirrel, but it rings the tree and rises from the danger. I drink in the falling colors. Oranges and yellows drift on the eddies of unseen forces, flutter to the ground and land audibly. Breathe deep. Listen. Watch the sun diving through the trees and the hills undulating into the distance. Stars hide in the liminal twilight. Awe softens my breath, weakens my knees in reverence. And only within the reverence, am I as buoyant as the tundra, as resilient as the kelp, powerful as the glacier, am I humble enough to soften my knees, to listen, and to bend to earth in forgiveness. And in forgiveness, we truly change the story of our lives.


Annie Penfield holds an MFA from the Vermont College of Fine Arts. She is working on a memoir based on her essay “The Half-Life.” Twice named notable by Best American Essays her work has appeared in several wonderful journals (www.anniepenfield.com). She lives in Vermont, spends time in Alaska, and works to reconcile it all through her writing.